- #DUAL MONITOR SOUND SETUP HOW TO#
- #DUAL MONITOR SOUND SETUP FULL#
- #DUAL MONITOR SOUND SETUP PC#
- #DUAL MONITOR SOUND SETUP PROFESSIONAL#
Your PC should have labels (or at least icons) on its display connection ports, which should help you determine what you’re working with. There are several types of video connections on the market today, so the first step is determining what kinds of display connection ports your computer has. This step is the most technical-sounding, but it’s not as hard as it might sound. Step 1: Determine Your Computer’s Display Connection Types Here are the four steps you’ll need to follow. If you already have your two monitors on hand, all that’s left is to set them up.
#DUAL MONITOR SOUND SETUP HOW TO#
How to Set Up Dual Monitors on Your Computer Here’s how to setup dual monitors on Windows 10. With two monitors, you can do this twice, for four apps at once - each completely visible.īest of all, setting up two monitors isn’t complicated and doesn’t require a ton of IT knowledge. In Windows, you can quickly drag a window to the side of the screen to automatically enter split-screen view. You can also use two (or even three or four) applications simultaneously, no switching required. When you can see more (and switch between windows less), you can move more quickly through your tasks. With more screen real estate, you can increase productivity.
#DUAL MONITOR SOUND SETUP PROFESSIONAL#
Having said that, there is no reason you can’t start your mix in mono with two studio monitors, and to get a professional sounding track, it is still recommended just starting with a mono mix and moving onto a stereo mix.There are numerous advantages to using a dual-monitor setup. But if you think they both add something then you can pan one left and one right and they will be easier for the listeners ears to pick out. You may have two high synth parts in similar parts of the EQ spectrum casuing them to clash in a mono mix.
#DUAL MONITOR SOUND SETUP FULL#
To put it simply, using one speaker, or a mono mix on a stereo system, forces you to make use of all the full spectral field, and to understand it, if you are going to get a quality mix. This incredible guide from Sweetwater shows you a visual representation of roughly where all those instruments sit in the mix. If you start mixing in stereo you may be tempted to squeeze in too many competing elements which may work in stereo, but do you really need them all? Mixing in mono forces you a bit more to make those decisions. The kick and bass should be at the low end, with other instruments occupying different frequency ranges from 20 Hz all the way up to 20 kHz. To get an amazing mono mix, you have to use EQ to strip away excess frequencies and ensure that everything has its right place in the mix, without much overlap. If you strip away the ability to use panning (moving audio left and right in the mix) then the spectral properties become more important.
What’s more, it means you aren’t making the most of one of a producer’s most vital tools the stereo field. Mixing everything in mono can make everything sound muddy, with all those instrument tracks competing for attention. If you only have one speaker you are taking away your ability to pan instruments and create an effective, and ultimately professional, sounding track. You can ‘pan’ a percentage of the particular instrument track to the left speaker or the right speaker. When you are mixing this is known as “panning” things across the stereo field. When music is in stereo it brings the sound to life and allows all the separate elements to have it’s own space within the overall mix. This is because most music is created in stereo not mono, to enhance the listening experience. In fact some more subtle instruments may only appear in one of the ears. You should be able to tell that not all parts of the song are entering both your ears at the same time. You may be able to pick this out when you listen to your favorite songs through headphones for example.
Virtually no music is mixed completely in mono.